It doesn’t get much scummier than that.Īs a feelings-first rapper who has tactfully approached rap romance with a touch of melodrama, he has often been confused for a full-fledged sentimentalist, but he actually has some very shady tendencies when it comes to relationship etiquette. “Don’t make me give you back to the hood,” he threatens creepily.
The former plays out a series of fights - including one at the Cheesecake Factory - where he deems her immature (let that sink in). There’s also the one-two punch of “Child’s Play” and “Too Good,” songs where he more explicitly takes on a confrontational role. You never know.“I gave your nickname to someone else / I know you’re seeing someone that loves you/ and I don’t want you to see no one else.” On that re-release, that deluxe packaging, that's what you may get. He even put a twist on the title after some sexy ladies, I believe. He might even include it on a repackaging of Teflon Don in the future. Ross said he has no problems with an unofficial extended version of "AMM" being out. Then, one of Ross' engineers mixed Drake's verse and extended chorus with the album version of "AMM," and that song has lived on the Net and mixtapes ever since. "I talk slicker than a pimp from Augusta," Drake raps on the track. I'mma need to get on that.' "Ī version of the song with just an extended chorus and Drake's verse called "Paris Morton Music" came out shortly after "Aston Martin Music" leaked to the Net almost two weeks ago. He was like, 'I'm finnin' to go in the studio, Ross. Just give me that half a chorus, and I'mma make it do what it do. I was like, 'I know you finishing your joint. Right then, he was ready to cock and load. Right then, he was ready to jump on his verse. "I sent it to the homie," the Miami rap lord described. The Bawse said listening to Drake's new album, in his leisure time, inspired him to make that call to his friend from Toronto. All right, all right.' At that point, I didn't know who was gonna sing the second half."
She wrote her lyrics," Ross continued of Michele's session for "Aston Martin." "It took her 10, 15 minutes to cut her vocals. Trusting Ross' direction, the singer got in and laid the vocals we hear today: "Riding to the music, this is how we do it/ All night/ Racing down the freeway/ Just me and my baby/ In our ride."
I got her in the studio to do the first half of this idea I had, which is 'Aston Martin Music.' She was like, 'What you mean just do half of the chorus?' I was like, 'Yeah, just do half. Chrisette Michele, she was on 'Mafia Music 2.' She came to Miami to film the video. That's what I like to call it when it's personal music for you and that special female that's riding shotgun in a two-seater. I wanted to do something else, two-seater music. I got the production from the J.U.S.T.I.C.E.
"It boils down to me having the idea, the concept," Ross said.